AKG C414 XLS Reference Multipattern Condenser Microphone
Description
AKG C414 XLS Reference Multipattern Condenser Microphone
The C414 XLS is a large-diaphragm 1" condenser microphone engineered for highest linearity and neutral sound, capturing everything from fingerpicked acoustic guitars to blazing amp rigs with pristine clarity and minimal coloration. Built in Hungary to the exacting standards that have defined the C414 line since 1971, this microphone delivers the transparent, detailed sound that studio pros and touring musicians trust for capturing their instruments exactly as they play them.
Live Reliability & Headroom
Built to withstand the demands of both studio sessions and live gigging, the C414 XLS handles screaming guitar amps, pounding drums, and horn sections without flinching. The 140 dB maximum SPL at 0 dB attenuation extends to 158 dB SPL with the -18 dB pad engaged, paired with a low self-noise floor of 6 dBA for capturing quiet, nuanced playing with absolute clarity. Three switchable bass-cut filters at 40 Hz, 80 Hz, and 160 Hz eliminate unwanted rumble and proximity buildup, keeping your recordings tight and focused without external processing.
Flexible Polar Patterns for Any Stage
Nine selectable polar patterns—cardioid, wide-cardioid, hypercardioid, omnidirectional, figure-8, and four intermediate positions—let you shape how the mic captures your instrument in any room or venue. Three attenuation pads (-6, -12, -18 dB) handle close-proximity recording and hot sources, while a peak-hold LED with audio overload warning ensures you never miss a transient spike during live tracking or performance recording.
Key Features
- Multipattern FET condenser with 1" capsule
- Frequency range: 20 - 20,000 Hz
- Maximum SPL: 140 dB (0 dB) to 158 dB (−18 dB attenuation)
- Dynamic range: 140 dB(SPL)
- Self-noise: 6 dBA
- Nine selectable polar patterns including cardioid, hypercardioid, omnidirectional, and figure-8
- Three attenuation pads (−6, −12, −18 dB)
- Three switchable bass-cut filters (40 Hz, 80 Hz, 160 Hz)
- Transformerless XLR output with balanced 3-pin male connector
- 48V phantom power required (4.5 mA consumption)
- Includes H85 shockmount, PF 80 pop filter, W414 windscreen, and aluminum carrying case
- Manufactured in Hungary; weight 300g
The AKG C414 XLS is the go-to multipattern condenser for gigging musicians and recording engineers who demand uncolored, instrument-focused sound and rock-solid performance in any setting.
More Information
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At a Glance
The AKG C414 XLS is a large-diaphragm multipattern condenser built for studio-grade precision in both studio and live-sound settings. Its nine switchable polar patterns, three attenuation pads, and three bass-cut filters give you surgical control over mic placement and source handling—from delicate vocals to loud drums—without coloration getting in the way. With 140 dB dynamic range, low self-noise, and 158 dB maximum SPL on the pad, this is the workhorse reference mic for engineers and performers who demand neutral, detailed capture in any room.
Who This Is For
Great for
- ✓ Studio Sessions
- ✓ Live Performance
- ✓ Home Recording
Skill level: Intermediate · Advanced · Professional
Frequently Asked Questions
What polar patterns does the C414 XLS offer?
Nine selectable patterns: cardioid, wide-cardioid, hypercardioid, omnidirectional, figure-8, and four intermediate positions. This range lets you dial in the exact pickup pattern for your room and source—from tight rejection on stage to ambient capture in the studio.
Can it handle loud sources like drums and live vocals without clipping?
Yes. The C414 XLS has a maximum SPL of 140 dB at 0 dB attenuation and extends to 158 dB SPL with the −18 dB pad engaged, plus three switchable pads (−6, −12, −18 dB) for close-proximity and high-output sources. A peak-hold LED with audio overload warning helps you catch transient peaks in real time.
What comes in the box?
The microphone includes an H85 shockmount, PF 80 pop filter, W414 windscreen, and aluminum carrying case. You'll need a 48V phantom power supply, which most audio interfaces and mixers provide.
How does the C414 XLS compare to the Neumann U87 or Shure KSM9?
All three are professional reference condensers with large diaphragms and multipattern capability. The C414 XLS stands out for its nine polar patterns (versus fewer on some competitors) and its switchable bass-cut filters, which reduce proximity effect and rumble without external processing. Choose based on your preferred sonic character and the specific polar patterns you need for your workflow.
What is the self-noise floor, and why does it matter?
The C414 XLS has a self-noise floor of 6 dBA, which is low enough to capture whispered vocals and delicate instruments without audible hiss. This clean noise floor is essential for studio sessions where you're recording quiet sources or expect to do heavy compression and reverb in the mix.