ESP LTD M-1 CTM '87 Lefty Guitar Metallic Gold
Description
ESP LTD M-1 CTM '87 Lefty Guitar Metallic Gold
The neck-thru construction and extra thin U-shaped maple neck deliver exceptional comfort and responsiveness for extended playing sessions, while the Metallic Gold finish with matching gold hardware commands immediate visual presence. Built specifically for left-handed players, this instrument balances classic aesthetics with modern performance capabilities across a range of musical styles.
Playability & Feel
The 25.5" scale length and 13.7" radius fingerboard provide balanced tension and fast playability, while 24 extra jumbo frets expand soloing range and facilitate contemporary techniques. The 1.692" nut width and extra thin U-shaped neck profile combine to reduce fatigue and enable fluid passage work.
Tone & Electronics
The Seymour Duncan TB-6 Distortion pickup packs aggressive output that cuts through a mix on stage, with a push-pull control for coil splitting that adds single-coil versatility when you need snap and articulation. The EMG PA-2 boost switch lets you dial in additional output on the fly, while the Floyd Rose 1000 bridge locks in intonation tight and handles extreme whammy bar techniques without tuning drift—essential for the gigging player.
Key Features
- Neck-thru body construction for enhanced sustain and upper fret access
- Alder body with three-piece extra thin U-shaped maple neck
- Macassar ebony fingerboard
- 25.5" scale length
- 24 extra jumbo frets with 13.7" radius
- 1.692" nut width
- Single Seymour Duncan TB-6 Distortion pickup with push-pull coil splitting
- EMG PA-2 boost switch
- Floyd Rose 1000 bridge
- LTD tuners
- Metallic Gold finish with gold hardware
- Strung with D'Addario XL120 strings (.009-.042)
This left-handed instrument combines stable hardware, high-output electronics, and refined construction to deliver consistent performance in studio and live environments.
More Information
| Condition | New |
|---|---|
| Dexterity | Left handed |
| Country of Manufacture | South Korea |
Reviews
At a Glance
The ESP LTD M-1 CTM '87 Lefty is a neck-thru metal machine built for left-handed players who demand aggression and precision on stage. The Seymour Duncan TB-6 with coil-split versatility, Floyd Rose 1000 bridge, and extra-thin U-shaped neck deliver tight sustain, fast playability, and rock-solid tuning stability even under extreme whammy bar abuse. Choose this if you're gigging in metal, hard rock, or prog and need a road-ready instrument that won't let you down.
Who This Is For
Great for
- ✓ Metal
- ✓ Hard Rock
- ✓ Progressive
- ✓ Drop Tunings
Not the best pick for
- – Jazz
- – Folk
- – Worship
Skill level: Intermediate · Advanced · Professional
Frequently Asked Questions
What makes the neck-thru construction important for this guitar?
Neck-thru design extends the wood mass across the entire body for enhanced sustain and easier access to higher frets, crucial for metal and progressive playing where you need tight, resonant tones and room to explore extended ranges.
Can I switch between humbucker and single-coil tones?
Yes—the Seymour Duncan TB-6 features a push-pull coil-split control that lets you dial in single-coil articulation when you need it, adding versatility without sacrificing the aggressive output the TB-6 is known for.
What gauge strings come with this guitar?
It ships with D'Addario XL120 strings in .009-.042 gauge, a standard set that balances playability with enough tension to handle drop tunings and whammy bar work.
How does the Floyd Rose 1000 bridge prevent tuning drift?
The Floyd Rose 1000 uses a precision locking system and individual saddle intonation adjustment, allowing you to use the whammy bar aggressively without losing tuning stability during live performances or recording sessions.
Is this guitar suitable for jazz or worship music?
No—this is purpose-built for metal, hard rock, and progressive styles; the aggressive output, high-gain voicing, and hardware setup are optimized for heavy music, not the warm sustain and clean articulation those genres require.
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