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La Mancha Rubi CM/63 Classical Guitar vs La Mancha Rubi CM/59 Classical Guitar
The Rubi CM/63 is a 7/8-size guitar with a 630mm scale and 52mm neck width, while the Rubi CM/59 is a 3/4-size with a 590mm scale and 49mm neck width. The CM/63 suits intermediate to advanced players seeking a full-scale feel in a compact form, while the CM/59 is ideal for beginners through advanced players with smaller hands or those prioritizing ergonomic comfort.
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Specs side by side
| La Mancha Rubi CM/63 Classical Guitar | La Mancha Rubi CM/59 Classical Guitar | |
|---|---|---|
| Price | $349.99 | $349.99 |
| Brand | La Mancha | La Mancha |
| Body Type | Hollow | Hollow |
| Strings | 6 | 6 |
| Frets | 19 Frets | 19 Frets |
| Fretboard | Ovangkol | Ovangkol |
| String Type | Nylon | Nylon |
| Year | Unknown | Unknown |
| Condition | New | New |
Why choose La Mancha Rubi CM/63 Classical Guitar
- ✓ Larger 7/8 size bridges the gap between full-scale and compact instruments
- ✓ Wider 52mm neck width better suits players with larger hands
- ✓ 630mm scale length provides closer feel to traditional full-sized classical guitars
Why choose La Mancha Rubi CM/59 Classical Guitar
- ✓ Smaller 3/4 size and 49mm neck width ideal for players with smaller hands or reduced reach
- ✓ EGTA recognition (2019/2020) validates build quality and playability standards
- ✓ Pre-strung with Savarez Cantiga High Tension strings, ready to play out of the box
Frequently asked questions
Which is better for a beginner?
The CM/59 is explicitly designed for beginners through advanced players and comes pre-strung and ready to play. The CM/63 suits intermediate to advanced players, making it less ideal for absolute beginners.
What's the actual size difference?
The CM/63 is 7/8-size with a 630mm scale and 52mm neck width, while the CM/59 is 3/4-size with a 590mm scale and 49mm neck width. This means the CM/59 is noticeably smaller and narrower, better for smaller hands.
Do they have the same tonal characteristics?
Both feature solid Canadian cedar tops and mahogany back/sides with identical construction materials (Toona kalantas neck, carbon reinforcement, Ovangkol fingerboard, bone nut/saddle). The CM/63 emphasizes clear projection and articulation across registers, while the CM/59 focuses on responsiveness and clarity ideal for fingerstyle work.
Which holds up better long-term?
Both use carbon-reinforced necks and solid tonewoods for durability. The CM/59 carries EGTA recognition, which independently validates its build standards and playability across professional contexts.