SCHECTER2872 vs SCHECTER460 — Compare
Schecter Charles Berthoud CB-4 Lefty Bass See Thru Black Satin vs Schecter dUg Pinnick DP-12 String Lefty Bass Satin Black
The CB-4 is a traditional 4-string with through-body construction and EMG electronics tuned for warm, cutting tone in classic genres, while the DP-12 adds extended 12-string range with Seymour Duncan active electronics for modern progressive and studio applications. Choose the CB-4 for funk, rock, and jazz fundamentals; choose the DP-12 if you need harmonic depth and modern tonal shaping.
No sales tax on orders shipped outside California — total cost beats national retailers that charge sales tax in nearly every state.
Schecter Charles Berthoud CB-4 Lefty Bass See Thru Black Satin
Schecter dUg Pinnick DP-12 String Lefty Bass Satin Black
Specs side by side
| Schecter Charles Berthoud CB-4 Lefty Bass See Thru Black Satin | Schecter dUg Pinnick DP-12 String Lefty Bass Satin Black | |
|---|---|---|
| Price | $1,549.00 | $1,549.00 |
| Brand | Schecter | Schecter |
| Body | Modern Bass | Modern Bass |
| Body Type | Solid | Solid |
| Strings | 4 | 12 |
| Fretboard | Rosewood | Ebony |
| Year | 2024 | 2023 |
| Condition | New | New |
Why choose Schecter Charles Berthoud CB-4 Lefty Bass See Thru Black Satin
- ✓ Through-body construction with warm low-end and excellent sustain
- ✓ Lightweight ash body with flamed maple top for resonance and visual appeal
- ✓ EMG HZ direct-mount pickups with 3-band active EQ for precise tone control
- ✓ Established 4-string format suits traditional funk, rock, and jazz immediately
Why choose Schecter dUg Pinnick DP-12 String Lefty Bass Satin Black
- ✓ 12-string configuration provides harmonic depth and extended range not available in 4-string
- ✓ Seymour Duncan Pro Active APB-1 pickup with 2-band EQ for responsive midrange and treble shaping
- ✓ Glow-in-the-dark side dot markers and pearloid inlays enhance low-light visibility
- ✓ Factory-setup and ready-to-perform out of the box
Frequently asked questions
What's the main tonal difference between these two basses?
The CB-4 emphasizes warm low-end with punchy articulation through its through-body ash body and 3-band EMG EQ, making it sit well in classic funk and rock mixes. The DP-12 focuses on focused low-end punch with articulate midrange and treble control via its Seymour Duncan 2-band EQ, designed for dynamic pick attack and progressive textures across 12 strings.
Will the 12-string DP-12 be harder to play than a traditional 4-string?
Both feature identical thin 'C' neck profiles and 34-inch scales, so playability feel is similar. The DP-12 requires coordination across 12 strings and benefits from finger strength, making it best suited for intermediate-to-advanced players already comfortable with bass mechanics.
Which bass is better for studio sessions?
Both excel in the studio. The CB-4 offers clarity and defined tone ideal for traditional funk, rock, and jazz recordings. The DP-12's 12-string harmonic depth and responsive electronics suit modern, progressive, and experimental studio work where extended range adds character.
What are the structural differences in the necks?
The CB-4 uses a walnut neck with Padauk stringers and dual carbon fiber rods. The DP-12 uses a three-piece maple neck with carbon fiber reinforcement. Both maintain stability and responsiveness; the materials and construction methods differ but both support the thin 'C' profile and fast playing.