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Seymour Duncan SH-1n '59 Model Gold Pickup vs Seymour Duncan SH-16 59/Custom Hybrid, Nickel Cover Pickup
The SH-1n '59 is a neck-position pickup optimized for warm, articulate vintage tones with note separation, while the SH-16 is a bridge-position pickup designed for punchy, midrange-focused clarity with modern dynamics. Choose the SH-1n for classic blues and rock players seeking authentic 1959 character in the neck position; choose the SH-16 for bridge-position players who want balanced vintage warmth with cutting presence.
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Seymour Duncan SH-16 59/Custom Hybrid, Nickel Cover Pickup
Specs side by side
| Seymour Duncan SH-1n '59 Model Gold Pickup | Seymour Duncan SH-16 59/Custom Hybrid, Nickel Cover Pickup | |
|---|---|---|
| Price | $135.00 | $135.00 |
| Brand | Seymour Duncan | Seymour Duncan |
| Condition | New | New |
Why choose Seymour Duncan SH-1n '59 Model Gold Pickup
- ✓ Lower DC resistance (7.6k ohms) delivers clearer note definition ideal for neck-position work
- ✓ Authentic 1959-inspired design with proven harmonic richness and natural compression
- ✓ Moderate output maintains articulation without muddiness in lower frequencies
- ✓ Neck-position specification engineered for maximum clarity and string separation
Why choose Seymour Duncan SH-16 59/Custom Hybrid, Nickel Cover Pickup
- ✓ Mismatched coil design adds harmonic complexity and responsive dynamics
- ✓ 5.95 kHz resonant peak with 6/6/8 EQ curve emphasizes punchy midrange clarity
- ✓ Higher impedance (11.5 kΩ) supports bridge-position output and sustain
- ✓ Hand-built in Santa Barbara with nickel silver short-leg plate for tonal refinement
Frequently asked questions
Can I use these pickups together as a matched set?
These are designed for different positions—the SH-1n is specified for neck, the SH-16 for bridge. They can be paired in the same guitar, but they serve different tonal roles. The SH-1n prioritizes note separation while the SH-16 emphasizes presence and punch.
Which pickup has higher output?
The SH-16 has higher impedance at 11.5 kΩ compared to the SH-1n's 7.6 kΩ, giving it greater bridge-position output and sustain. The SH-1n's moderate output is intentional for neck-position clarity.
Are these suitable for hard rock and progressive players?
Both work well for classic rock and hard rock, but the SH-16 is specifically noted for progressive and hard rock bridge-position work due to its punchy midrange and articulate dynamics. The SH-1n excels in blues and vintage rock contexts.
What's the difference in construction approach?
The SH-1n uses matched coil winding on a Leesona 102 machine for consistency and vintage accuracy. The SH-16 uses mismatched coils hand-built in Santa Barbara for harmonic complexity and modern responsiveness, representing two different design philosophies.