11104-06-BNc vs 11104-06-Gc — Compare
Seymour Duncan APH-2n Slash Alnico II Pro Humbucker Black Nickel Cover Pickup vs Seymour Duncan APH-2n Slash Alnico II Pro Humbucker Gold Cover Pickup
Both are Seymour Duncan APH-2n neck humbuckers with Alnico II magnets and identical core voice, but the Black Nickel version (8.3k ohms) runs hotter with more natural sag, while the Gold version (7.92k ohms) offers tighter control and explicit EQ shaping for studio precision. Choose Black Nickel for classic rock and blues fluidity; choose Gold for players wanting measured articulation and feedback-free recording.
No sales tax on orders shipped outside California — total cost beats national retailers that charge sales tax in nearly every state.
Seymour Duncan APH-2n Slash Alnico II Pro Humbucker Black Nickel Cover Pickup
Seymour Duncan APH-2n Slash Alnico II Pro Humbucker Gold Cover Pickup
Specs side by side
| Seymour Duncan APH-2n Slash Alnico II Pro Humbucker Black Nickel Cover Pickup | Seymour Duncan APH-2n Slash Alnico II Pro Humbucker Gold Cover Pickup | |
|---|---|---|
| Price | $159.00 | $159.00 |
| Brand | Seymour Duncan | Seymour Duncan |
| Condition | New | New |
Why choose Seymour Duncan APH-2n Slash Alnico II Pro Humbucker Black Nickel Cover Pickup
- ✓ Higher output (8.3k ohms) for thicker, more sustained tone
- ✓ Natural sag and harmonic bloom suit lead work and dynamics
- ✓ Simpler spec sheet—focuses on core Alnico II character
- ✓ Budget-friendly classic rock option
Why choose Seymour Duncan APH-2n Slash Alnico II Pro Humbucker Gold Cover Pickup
- ✓ Lower, more controlled output (7.92k ohms) for precision playing
- ✓ Wax potting eliminates microphonic feedback in studio/live
- ✓ Explicit EQ curve (7 bass / 5 mids / 8 treble) for predictable tone shaping
- ✓ Maple spacer and nickel silver plate add construction detail
Frequently asked questions
What's the actual tone difference between these two?
The Black Nickel runs hotter (8.3k vs 7.92k ohms) with more natural harmonic sag and spongy response. The Gold version is slightly cooler with a deliberate EQ curve (7 bass / 5 mids / 8 treble) that emphasizes low-end warmth and high-end clarity while taming the midrange for studio definition.
Which is better for studio recording?
The Gold cover is purpose-built for studio: it includes wax potting to eliminate feedback, a specified resonant peak (6.4 kHz), and a controlled EQ profile that translates predictably to mic and interface. The Black Nickel prioritizes organic response over studio-optimized specs.
Are these neck pickups, and will they work in bridge position?
Both are designed for neck position. Using either in a bridge slot is possible but not recommended—the lower output and warm character are voiced specifically for neck-position dynamics and sustain, not bridge attack and definition.
Do I need to worry about microphonic feedback with either?
The Gold cover includes wax potting, which actively eliminates microphonic feedback—important for high-gain or studio settings. The Black Nickel spec sheet does not mention potting, so it may be more susceptible to feedback in aggressive amplification.