2765H00020 vs 3340H00010 — Compare
AKG GN15 E High Performance Modular Gooseneck Module vs AKG PZM11 LL Professional Flush Mount Boundary Layer Microphone
The AKG GN15 E is a flexible, modular gooseneck condenser for studio recording, live sound, and broadcast where precise positioning and transparent audio matter; the PZM11 LL is a discreet boundary-layer microphone designed to mount flush on surfaces like conference tables and podiums where appearance and speech clarity are priorities.
No sales tax on orders shipped outside California — total cost beats national retailers that charge sales tax in nearly every state.
AKG GN15 E High Performance Modular Gooseneck Module
AKG PZM11 LL Professional Flush Mount Boundary Layer Microphone
Specs side by side
| AKG GN15 E High Performance Modular Gooseneck Module | AKG PZM11 LL Professional Flush Mount Boundary Layer Microphone | |
|---|---|---|
| Price | $253.00 | $253.00 |
| Brand | AKG | AKG |
| Condition | New | New |
Why choose AKG GN15 E High Performance Modular Gooseneck Module
- ✓ Modular design tailors to studio, live, broadcast, and theater applications
- ✓ Precise 15cm gooseneck positioning with stable, drift-free placement
- ✓ Integrated 250Hz bass-cut filter reduces proximity coloration and rumble
- ✓ Full 20–20,000 Hz frequency response captures detailed, transparent audio
Why choose AKG PZM11 LL Professional Flush Mount Boundary Layer Microphone
- ✓ Ultra-compact flush-mount design disappears into conference tables and podiums
- ✓ Low-profile 115×70×29mm form factor with minimal mounting stress
- ✓ Intelligent low-end rolloff suppresses HVAC and environmental noise
- ✓ High-frequency boost enhances speech intelligibility in vocal-heavy settings
Frequently asked questions
Which is better for conference rooms and boardrooms?
The PZM11 LL is purpose-built for this: its flush-mount boundary-layer design sits directly on conference tables with minimal visibility, while its speech-focused frequency shaping and HVAC noise suppression suit meeting and presentation environments.
Which offers better flexibility for different applications?
The GN15 E's modular design and balanced XLR output make it ideal for studio recording, live reinforcement, broadcast, and theater work where you need to reposition the capsule and integrate with professional audio chains. The PZM11 LL is purpose-built for fixed surface mounting only.
What is the key difference in frequency response?
The GN15 E spans a full 20–20,000 Hz with a switchable 250Hz bass cut for proximity control. The PZM11 LL covers 80–20,000 Hz with a built-in low-end rolloff designed specifically to reject HVAC noise, sacrificing deep bass capture for cleaner speech in ambient environments.
How do they differ in installation?
The GN15 E uses a standard balanced XLR male connector and requires a stand, boom, or gooseneck mount. The PZM11 LL connects via rear-plate screw terminals and mounts directly flush to surfaces like tables and podiums with no external connectors.