6000H01900 vs 6000H02050 — Compare
AKG H500 Shock Mount vs AKG MKA20 Antenna Cable
The AKG H500 is a microphone shock mount for isolating vocal and instrument mics from vibration and handling noise, while the AKG MKA20 is a 20-meter antenna cable for wireless microphone systems—they serve completely different purposes. Choose the H500 if you're recording or performing with a wired condenser mic; choose the MKA20 if you're setting up wireless microphone antennas.
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Specs side by side
| AKG H500 Shock Mount | AKG MKA20 Antenna Cable | |
|---|---|---|
| Price | $73.59 | $83.87 |
| Brand | AKG | AKG |
| Condition | New | New |
Why choose AKG H500 Shock Mount
- ✓ Isolates vibrations and handling noise with 12 dB attenuation
- ✓ Works across multiple genres and mic applications (vocals, acoustic instruments, spoken word)
- ✓ Compact, lightweight design that doesn't clutter your setup
- ✓ Quick installation and breakdown for live or studio use
Why choose AKG MKA20 Antenna Cable
- ✓ 65-foot length suits large venues and distributed wireless systems
- ✓ RG 58 construction with 50 Ohm impedance ensures signal integrity
- ✓ Gold-plated BNC connectors resist corrosion through repeated use
- ✓ Universal male-to-male BNC compatibility with standard wireless receivers
Frequently asked questions
Can I use both products together?
Yes. The H500 shock mount isolates a wired microphone on a stand, while the MKA20 antenna cable connects wireless receiver antennas. They address different parts of a setup and are not mutually exclusive.
What microphone types does the H500 fit?
The H500 is designed for E and ES version gooseneck modules from the AKG Discreet Acoustics Modular (DAM) series and requires a 2-inch (50 mm) mounting hole. Check your microphone specs before purchasing.
Is 20 meters long enough for a typical wireless setup?
The MKA20's 65-foot length works for most studio and mid-to-large venues, but confirm your antenna placement distance from the receiver. Very distant antenna runs or multi-antenna distribution may require additional cabling.
How much vibration isolation does 12 dB provide in practice?
12 dB of attenuation reduces vibration noise by roughly half its original level, which is audible on close-miked vocals and acoustic instruments but less critical for loud stage sources or rough handling in live settings.