6SAW850CENT-B2548 vs 6SAW850CENT-B5057 — Compare
Ibanez AWB50CE Artwood Natural Low Gloss Acoustic Electric Guitar 2548 vs Ibanez AWB50CE Artwood Natural Low Gloss Acoustic Electric Guitar 5057
Both are Ibanez AWB50CE models with nearly identical construction (solid sitka spruce top, mahogany back/sides/neck, 34" scale), but they differ in fret count and preamp electronics. The 20-fret model (2548) uses the SST Shape Shifter preamp for more tone-shaping control, while the 22-fret model (5057) uses the AEQ-SP2 preamp optimized for clean amplified tone with minimal feedback.
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Ibanez AWB50CE Artwood Natural Low Gloss Acoustic Electric Guitar 2548
Ibanez AWB50CE Artwood Natural Low Gloss Acoustic Electric Guitar 5057
Specs side by side
| Ibanez AWB50CE Artwood Natural Low Gloss Acoustic Electric Guitar 2548 | Ibanez AWB50CE Artwood Natural Low Gloss Acoustic Electric Guitar 5057 | |
|---|---|---|
| Price | $319.99 | $319.99 |
| Brand | Ibanez | Ibanez |
| Body | Dreadnought Cutaway | Dreadnought Cutaway |
| Strings | 6 | 6 |
| Fretboard | Rosewood | Rosewood |
| Pickup Configuration | Under Saddle | Under Saddle |
| Year | 2015 | 2015 |
| Condition | Refurbished | Refurbished |
Why choose Ibanez AWB50CE Artwood Natural Low Gloss Acoustic Electric Guitar 2548
- ✓ SST Shape Shifter preamp offers more onboard tone-shaping flexibility
- ✓ 20-fret design may suit some playing styles
- ✓ Integrated tuner built into preamp interface
Why choose Ibanez AWB50CE Artwood Natural Low Gloss Acoustic Electric Guitar 5057
- ✓ 22-fret rosewood fingerboard provides extended reach for serious bass work
- ✓ AEQ-SP2 preamp specifically voiced for clean, articulate amplified tone
- ✓ Designed to minimize feedback in live and studio settings
Frequently asked questions
What's the practical difference between 20 and 22 frets on a bass?
The 22-fret model (5057) extends playable range higher on the fingerboard, useful for soloing or melodic bass lines. The 20-fret model (2548) is more traditional but still covers most jazz and session bass needs.
How do the preamps differ?
The SST Shape Shifter (2548) emphasizes tone-shaping controls and flexibility. The AEQ-SP2 (5057) is engineered for clean, minimal-feedback amplified tone, making it ideal for tight studio recording and live reinforcement.
Are these the same bass otherwise?
Yes—both use solid sitka spruce tops, mahogany construction, 34" scale, Fishman Sonicore pickups, XLR/1/4" outputs, 9V battery power, and bone nut/saddle. Only the fret count and preamp model differ.
Which is better for jazz and studio work?
Both excel in these genres. The 5057's extended frets and feedback-resistant preamp suit precise studio recording; the 2548's Shape Shifter preamp suits players who want more creative tone control during sessions.