90233070HU-B vs 90250035HU — Compare
Martin MAC Viper Wash DX Luminare W/ CMY Color Mixing B-Stock vs Martin MAC Aura PXL Multi-Source Wash Light
The MAC Viper Wash DX is a 1000W discharge-lamp fixture delivering 33,000 lumens with precise mechanical beam control for traditional theater and large-venue touring, while the MAC Aura PXL is a compact 19-LED fixture with 10,500 lumens and pixel-mapping capabilities suited for modern media-server-driven productions and noise-sensitive environments. Choose the Viper for classical theater lighting with articulate framing; choose the Aura PXL for contemporary productions demanding silent operation and pixel control.
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Martin MAC Viper Wash DX Luminare W/ CMY Color Mixing B-Stock
Martin MAC Aura PXL Multi-Source Wash Light
Specs side by side
| Martin MAC Viper Wash DX Luminare W/ CMY Color Mixing B-Stock | Martin MAC Aura PXL Multi-Source Wash Light | |
|---|---|---|
| Price | $9,237.60 | $8,590.50 |
| Brand | Martin | Martin |
| Year | Unknown | Unknown |
| Condition | Refurbished | New |
Why choose Martin MAC Viper Wash DX Luminare W/ CMY Color Mixing B-Stock
- ✓ 33,000 lumens—triple the output of Aura PXL for large stages and outdoor venues
- ✓ Internal barndoors with indexing shutters for precise framing and edge shaping
- ✓ 1000W arc lamp with warm-to-cool color temperature range (6000K–3200K) maintains consistent light quality across zoom without beam jump
- ✓ Mechanical dimmer and instant blackout capability for live-performance precision
Why choose Martin MAC Aura PXL Multi-Source Wash Light
- ✓ Silent LED operation—no lamp noise, ideal for television, corporate events, and noise-critical spaces
- ✓ Pixel-mapping engine with 19 main pixels and 141 backlight pixels for creative, video-synced effects
- ✓ Compact and lightweight compared to 1000W discharge fixtures, easier touring logistics
- ✓ Full protocol support (DMX, Art-Net, sACN, P3) for seamless media-server and console integration
Frequently asked questions
Which is brighter, and for what size venue?
The Viper Wash DX outputs 33,000 lumens versus the Aura PXL's 10,500 lumens—three times more light. The Viper suits large theaters, outdoor stages, and touring rigs requiring deep throw and high intensity; the Aura PXL works for mid-sized theaters, studios, clubs, and corporate spaces where silence and compactness are priorities.
What's the difference in beam shaping and control?
The Viper features a mechanical internal barndoor system with indexing shutters, iris, and dimmer curves for articulate, precise framing typical of theatrical Fresnel replacements. The Aura PXL uses pixel-mapping—19 individually addressable LEDs in the main beam plus 141 backlight pixels—enabling dynamic color and intensity effects synchronized to video or media servers, rather than traditional mechanical beam shaping.
Which should I choose for a media-server-driven production?
The Aura PXL is purpose-built for pixel mapping and media-server workflows, with full Art-Net, sACN, and P3 protocol support plus instant flicker-free response. The Viper Wash DX is controlled via standard dimmer curves and mechanical adjustment, making it better suited to console-driven traditional theater lighting.
What about noise levels and operating environments?
The Aura PXL is completely silent—LEDs produce no fan or lamp noise—making it ideal for television, broadcast, and noise-sensitive corporate events. The Viper Wash DX uses a 1000W discharge arc lamp, which generates heat and some acoustic output, typical of high-output theater fixtures.