90234000HU vs 9025122049 — Compare

Martin MAC Encore Performance Cold Light Moving Head vs Martin ERA 600 Performance LED CMY Color Mixing Light

The MAC Encore Performance Cold Light is a precision accent and architectural fixture optimized for tight zoom ranges and meticulous programming, while the ERA 600 is a high-output, all-purpose workhorse designed for touring and rental flexibility. Choose the MAC Encore for camera-critical theatrical work and intricate automated sequences; choose the ERA 600 for broad-wash coverage, road deployments, and maximum lumen output.

No sales tax on orders shipped outside California — total cost beats national retailers that charge sales tax in nearly every state.

Martin MAC Encore Performance Cold Light Moving Head

$12,199.50
View Martin MAC Encore Performance Cold Light Moving Head

Martin ERA 600 Performance LED CMY Color Mixing Light

$13,437.00
View Martin ERA 600 Performance LED CMY Color Mixing Light

Specs side by side

Martin MAC Encore Performance Cold Light Moving HeadMartin ERA 600 Performance LED CMY Color Mixing Light
Price$12,199.50$13,437.00
BrandMartinMartin
YearUnknownUnknown
ConditionNewNew

Why choose Martin MAC Encore Performance Cold Light Moving Head

  • Tighter 12–48° zoom with superior optical flatness for precise accent lighting and texture projection
  • Silent, flicker-free operation ideal for camera-critical environments
  • Intuitive real-time control suited to both automated programming and live spontaneous adjustments
  • Absolute position motor monitoring ensures repeatable, reliable automated cueing

Why choose Martin ERA 600 Performance LED CMY Color Mixing Light

  • Significantly higher output: 19,000 lumens (fixture) vs. 11,600 lumens for broader venue coverage
  • Modular design enables effects swaps in under one minute for fast touring changeovers
  • Lighter weight (31.3 kg) and more compact for portability and rigging flexibility
  • Independent CMY color mixing plus dual rotating prisms for richer effects palette
Bottom line: Pick the MAC Encore for theatrical, broadcast, and architectural applications where optical precision, silence, and tight beam control matter most. Pick the ERA 600 for touring, rental, festival, and broad-wash applications where high lumens, portability, and quick serviceability are priorities.

Frequently asked questions

Which is brighter?

The ERA 600 delivers 19,000 lumens of fixture output compared to the MAC Encore's 11,600 lumens. The ERA 600 is significantly brighter for filling large venues and creating broad washes. The MAC Encore prioritizes precision and optical quality over raw lumens.

Which is better for touring and rental work?

The ERA 600 is purpose-built for touring: it weighs 31.3 kg versus an unspecified heavier weight for the MAC Encore, features modular effects design for sub-minute swaps, and is designed for ease of service. The MAC Encore is engineered for fixed installations and programming-heavy theatrical environments.

What are the key optical differences?

The MAC Encore has a tighter zoom (12–48°) and flat-field optical design ideal for accent lighting and texture gobos. The ERA 600 has a wider 1:8 zoom (6–45°), higher lumens, and includes dual rotating prisms plus a full framing curtain system for more effects flexibility but broader field coverage.

Which offers better color control?

The ERA 600 includes independent CMY color mixing (0–100%) alongside a color wheel, offering more granular hue blending. The MAC Encore uses a 6-position dichroic color wheel with variable CTO adjustment (6000–2700K). For touring work needing fast color changes, the ERA 600 is more flexible; for theatrical precision, the MAC Encore's spectral accuracy (CRI > 80, TM-30 fidelity) excels.

🎸

Welcome! Before we chat…

Drop your name and email so we can follow up if you reach us after hours.

We never share your info.

🟢 Specialist connected