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Martin Mac Encore Performance,cld,sip B-Stock vs Martin Mac Encore Performance,wrm,sip B-Stock
The CLD delivers crisp 6000K daylight-balanced output optimized for outdoor and high-ambient-light venues, while the WRM offers warm 3000K studio-grade flicker-free light designed for theatre and camera-friendly productions. Choose the CLD for outdoor touring and daylight-heavy installations; pick the WRM for theatre, broadcast, and venues where warm, camera-clean output matters.
No sales tax on orders shipped outside California — total cost beats national retailers that charge sales tax in nearly every state.
Martin Mac Encore Performance,cld,sip B-Stock
Martin Mac Encore Performance,wrm,sip B-Stock
Specs side by side
| Martin Mac Encore Performance,cld,sip B-Stock | Martin Mac Encore Performance,wrm,sip B-Stock | |
|---|---|---|
| Price | $9,946.80 | $9,939.60 |
| Brand | Martin | Martin |
| Fixture Type | Moving Head | Moving Head |
| Condition | Refurbished | Refurbished |
Why choose Martin Mac Encore Performance,cld,sip B-Stock
- ✓ 6000K crisp daylight color temperature cuts through ambient sunlight and outdoor glare
- ✓ Neutral color rendering ideal for accurate color reproduction in bright environments
- ✓ High output density maximizes throw distance in open-air and large venue applications
Why choose Martin Mac Encore Performance,wrm,sip B-Stock
- ✓ 3000K warm white LED produces studio-grade, flicker-free output optimized for camera and video capture
- ✓ Consistent, camera-clean beam performance crucial for broadcast and theatrical recordings
- ✓ Industry-standard Neutrik TRUE1 NAC3FX-W power connector ensures reliable touring connectivity
Frequently asked questions
Which is better for outdoor daytime events?
The CLD's 6000K daylight-balanced output is engineered to cut through sunlight and ambient light without color shift, making it ideal for outdoor festivals and daytime venue installations. The WRM's 3000K warm tone performs better indoors and under controlled lighting conditions.
Which one is camera-friendly for broadcast and video?
The WRM is explicitly designed for flicker-free output that plays cleanly on camera and in high-speed video capture, making it the choice for theatre productions and broadcast work. The CLD's cooler 6000K tone can appear harsh on video and is optimized for live visibility rather than camera rendering.
Are the framing and gobo systems the same?
Both units feature ±55° rotatable framing blades and 5-position interchangeable gobo wheels with the same mechanical precision. The key difference is the color temperature and beam quality, not the mechanical framing system.
What is the actual power output difference?
Both units deliver 468W of LED output. The difference is color temperature: the CLD uses cool white (6000K) while the WRM uses warm white (3000K), affecting tone and application rather than brightness.