Sabian 20" AAX Chinese
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- Modern Bright, biting responses
- An ideal modern China model that is huge, brash and trashy
- Penetrating definition with total presence and power
Out of stock
- SKU
- 22016X
Description
Sabian 20" AAX Chinese Cymbal
The Sabian 20" AAX Chinese delivers the cutting, trashy character that defines the Chinese cymbal category, with a responsive feel that rewards controlled strikes and open playing. Its bright, cutting voice cuts through dense mixes and live settings without requiring extreme dynamic range. This cymbal serves drummers seeking authentic Chinese cymbal articulation within Sabian's modern AAX series.
Sound Character & Projection
The bright sound profile combined with a large raw bell produces immediate attack and sizzling sustain typical of quality Chinese cymbals. The high profile and wide lip contribute to its cutting edge and projection, making it effective in both live and studio contexts where definition matters.
Construction & Feel
Cast from B20 bronze in a thin thickness, this cymbal balances responsiveness with durability. The substantial 6.00 lbs weight provides sufficient mass for projection while maintaining the nimble character expected from Chinese cymbal designs.
Key Features
- 20 inch diameter
- B20 bronze construction
- Thin profile
- Bright sound character
- Large raw bell
- High profile design
- Wide lip
- 6.00 lbs weight
- Modern style AAX series
- Model number 22016X
The AAX Chinese delivers the cutting articulation and projection expected from a quality 20" Chinese cymbal, backed by Sabian's B20 bronze durability.
More Information
| Condition | New |
|---|---|
| Cymbal Size | 20" |
| Cymbal Type | Effects |
| Country of Manufacture | Canada |
Reviews
At a Glance
The Sabian 20" AAX Chinese is a bright, cutting cymbal that delivers authentic Chinese character with immediate attack and sizzling sustain, built from B20 bronze for durability and projection. Intermediate to professional drummers playing rock, hard rock, or metal will appreciate its ability to cut through dense mixes on stage without sacrificing articulation or definition. This cymbal rewards controlled, purposeful strikes and pairs well with players who want trashy bite and high-end clarity in their live and studio toolkit.
Who This Is For
Great for
- ✓ Rock
- ✓ Hard Rock
- ✓ Metal
- ✓ Live Performance
- ✓ Studio Sessions
Not the best pick for
- – Jazz
- – Folk
- – Worship
Skill level: Intermediate · Advanced · Professional
Frequently Asked Questions
What makes a Chinese cymbal different from crash or ride cymbals?
Chinese cymbals have a distinctive trashy, cutting character with a large raw bell and wide lip that produces immediate attack and sizzling sustain, making them ideal for adding articulation and bite to rock and metal playing. The 20" AAX Chinese delivers that signature bright, cutting voice with high projection, allowing it to stand out in dense mixes without extreme dynamic range.
Is the 20" AAX Chinese suitable for studio recording?
Yes, this cymbal works well in both live and studio contexts where cutting definition and articulate projection matter. Its bright sound profile and immediate attack translate clearly to recordings, and the articulate character cuts through dense multi-instrument mixes effectively.
What skill level is this cymbal designed for?
The AAX Chinese is voiced for intermediate, advanced, and professional drummers who appreciate responsive feel and can control their strikes to get the best articulation. It rewards purposeful, controlled playing and works best for players familiar with the demands of rock, hard rock, and metal genres.
How does the 6.00 lbs weight affect playability?
At 6.00 lbs, the B20 bronze construction provides sufficient mass for projection and durability while maintaining the nimble character and responsiveness expected from a quality Chinese cymbal. The thin profile and weight balance cutting articulation with the control needed for dynamics.
What genres is the AAX Chinese best suited for?
This cymbal is designed specifically for rock, hard rock, metal, and live performance contexts where cutting definition and articulate projection are priorities. It is not voiced for jazz, folk, or worship applications.
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