Seymour Duncan AHB-1B Blackouts 7-String Phase 2 Bridge Pickup

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Seymour Duncan AHB-1B Blackouts 7-String Phase 2 Bridge Pickup

In stock

SKU
11106-37-B-7Str
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Description

Seymour Duncan AHB-1B Blackouts 7-String Phase 2 Bridge Pickup

The AHB-1B Blackouts Phase 2 is an active bridge pickup engineered for extended frequency response and articulate high-gain performance on 7-string instruments. Built as a direct soapbar retrofit for players running EMG 707 setups, it delivers balanced signal architecture and quick-connector convenience—drop it in without rewiring your entire instrument.

Active Design & Connectivity

Built on 9V active amplification with balanced differential preamp inputs, this pickup keeps your signal clean even when you're pushing gain hard or running heavy effects. The quick-connector cable system means fast swaps at the gig or in the shop—no soldering required, no signal compromise.

Tone & Frequency Response

The Phase 2 voicing emphasizes extended treble and bass response paired with a slightly scooped midrange, giving you clarity and articulation on every note while the tight low end holds up in extended tunings. On stage, this character cuts through a full band mix, stays defined during face-melting lead runs, and locks in tight for chunky rhythm chops.

Key Features

  • Active mount soapbar-sized design
  • 9V active pickup configuration
  • Direct retrofit for EMG 707 pickups
  • Balanced inputs with differential preamp
  • Quick-connector cable connectivity
  • Extended treble response
  • Extended bass response
  • Slightly scooped midrange voicing
  • Includes pots, hardware, quick-connector cables, capacitor, output jack, battery clip, and wire
  • 7-string bridge position voicing

The AHB-1B Blackouts Phase 2 pairs proven active circuit design with modern plug-and-play connectivity, making it an easy upgrade for 7-string players who want frequency-extended tone without tearing apart their electronics.

More Information
Condition New
Country of Manufacture United States
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At a Glance

The Seymour Duncan AHB-1B Blackouts Phase 2 is an active 7-string bridge pickup built for articulate high-gain tone with extended treble and tight low end—ideal for metal, djent, and drop-tuned players. It drops directly into EMG 707 cavities and uses quick-connector cables, so you avoid rewiring and get stage-ready clarity in dense mixes without losing articulation on fast lead work. Choose it for a modern active voicing that cuts through at high volumes while keeping your rhythm tone defined and punchy.

Who This Is For

Great for

  • Metal
  • Djent
  • Hard Rock
  • Progressive
  • Drop Tunings

Not the best pick for

  • Jazz
  • Blues
  • Folk

Skill level: Intermediate · Advanced · Professional

Frequently Asked Questions

What does active mean, and does it need a battery?

Active pickups use a 9V battery-powered preamp built into the pickup to amplify and balance the signal before it reaches your amp, delivering cleaner tone and more consistent output than passive designs. The battery clip is included, and the battery typically lasts several months of regular playing.

Will this fit my 7-string guitar if I have EMG pickups now?

Yes—the AHB-1B is designed as a direct retrofit for EMG 707 pickups, fitting the same soapbar cavity without modification. It also includes quick-connector cables, so you can install it without soldering.

What tone should I expect from this bridge pickup?

Expect extended treble and bass with a slightly scooped midrange, delivering clarity and articulation in high-gain settings—especially strong for metal, djent, and drop-tuned riffs in dense mixes. It prioritizes definition and cut over warmth, making fast passages and chunky rhythm work stand out.

What's included in the box?

The pickup ships with pots, mounting hardware, quick-connector cables, a capacitor, output jack, battery clip, and wire—everything needed to complete the installation.

Is this pickup suitable for jazz or blues?

No—the extended treble boost and scooped mids make this pickup best for metal, hard rock, progressive, and djent styles. It will sound too aggressive and bright for jazz or blues applications.

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