Seymour Duncan Slash 2.0 Bridge Humbucker Reverse Zebra 4-Conductor SE

  • Brand new in original box
  • Full Seymour Duncan manufacturer's warranty
  • Free shipping in the continental US

In stock

SKU
11104-19-Rz-4c-bpSh
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Description

Seymour Duncan Slash 2.0 Bridge Humbucker Reverse Zebra 4-Conductor SE Pickup

The Slash 2.0 Bridge delivers aggressive, articulate high-end response with controlled midrange punch—a pickup engineered for lead work and rhythmic definition on stage. Its reverse zebra aesthetic pairs classic appeal with modern performance, and the four-conductor wiring unlocks flexible coil-splitting and series/parallel switching options for tonal versatility in live situations.

Tone & Voicing

Built around an Alnico II magnet, this bridge humbucker achieves a balanced brightness that cuts through a live mix without sacrificing warmth or sustain. The 9.38 kΩ DC resistance positions it in the mid-output range, offering responsive dynamics and clarity ideal for single-note passages while maintaining enough body for full chords—reliable across venue sound systems and stage setups.

Construction & Reliability

Hand-built in Santa Barbara, this pickup features a nickel silver bottom plate with long mounting legs for secure installation and consistent output night after night. The four-conductor architecture, combined with single-conductor braided lead wire, maple spacer, paper tape, and wax potting, ensures solid shielding and road-tested durability.

Key Features

  • Alnico II magnet
  • 9.38 kΩ DC resistance (bridge position)
  • Four-conductor wiring
  • Nickel silver bottom plate
  • Long mounting legs
  • Reverse zebra color scheme
  • Hand-built in Santa Barbara
  • Maple spacer construction
  • Wax-potted for noise reduction
  • Single-conductor braided lead wire

This Slash 2.0 is a purpose-built bridge pickup for gigging musicians demanding articulate treble, controlled mids, and the switching flexibility that four-conductor design provides for versatile live tone.

More Information
Condition New
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At a Glance

The Seymour Duncan Slash 2.0 Bridge is a mid-output humbucker engineered for hard rock and metal lead work, delivering aggressive high-end clarity and controlled midrange punch that cuts through a mix without losing warmth. Its four-conductor wiring unlocks coil-splitting and series/parallel switching for tonal flexibility, while the Alnico II magnet and hand-built Santa Barbara construction ensure responsive dynamics and reliable sustain on stage and in the studio. Choose this pickup if you need articulate single-note definition, rhythmic chop, and the switching options to reshape your tone without swapping gear.

Who This Is For

Great for

  • Hard Rock
  • Metal
  • Lead work
  • Studio Sessions

Not the best pick for

  • Jazz
  • Blues

Skill level: Intermediate · Advanced · Professional

Frequently Asked Questions

What does four-conductor wiring allow me to do?

Four-conductor wiring unlocks coil-splitting and series/parallel switching, giving you access to single-coil tones and different voicings from one pickup without needing multiple pickups or rewiring.

Is the Slash 2.0 Bridge suitable for jazz or blues?

No; this pickup is voiced for hard rock and metal lead work, with aggressive high-end response and mid-output clarity that is not optimized for the warm, sustained tones needed in jazz or blues.

What skill level do I need to install this pickup?

Installation requires intermediate to advanced soldering skills if you plan to leverage the four-conductor switching options; basic pickup swap is achievable for intermediate players, but harnessing the full switching capability benefits from technical experience.

How does the Slash 2.0 compare to other mid-output bridge pickups?

The Slash 2.0 sits between the EMG 81/85 and DiMarzio Super Distortion in output and tone; it emphasizes articulate treble and clarity over raw aggression, making it ideal for lead definition and rhythmic chop rather than maximum crunch.

What is the reverse zebra color scheme?

Reverse zebra is the magnet color pattern on the pickup—it's a visual aesthetic that pairs classic appeal with modern performance and does not affect tone or function.

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