Seymour Duncan TS-2b, Triple Shot, LP, Bridge, Black
- Brand new in original box
- Full Seymour Duncan manufacturer's warranty
- Free shipping in the continental US
In stock
- SKU
- 11806-04-B
Description
Seymour Duncan TS-2b Triple Shot LP Bridge, Black
The TS-2b Triple Shot is a switching system engineered for players who demand tonal flexibility without sacrificing the classic aesthetic of an arched-top guitar. Two compact slider switches positioned at the low E-string edge deliver intuitive access to series, parallel, and split wiring configurations, letting you reshape your humbucker voicing on the fly with minimal interruption to your playing position.
Design & Compatibility
Purpose-built for arched-top guitars, this bridge-position unit integrates seamlessly into traditional LP-style designs while maintaining clean lines. The system requires humbucker pickups equipped with four-conductor cables to unlock its full wiring flexibility, and it will not fit nickel and gold-covered Trembuckers.
On Stage & Live Switching
Access to series, parallel, and split wirings means you can dial in tight, aggressive humbucking response for rhythm work, blend the coils for clarity and articulation during leads, or run each coil independently for single-coil character—all without leaving your instrument during a set. This level of tonal range gives a single pickup pairing the flexibility of an entire rig's worth of tonal options.
Key Features
- Designed for arched-top guitars
- Black finish
- Bridge position mounting
- Two small slider switches at low E-string edge
- Provides series, parallel, and split wiring modes
- Compatible with humbucker pickups featuring four-conductor cables
- Will not fit Nickel and Gold covered Trembuckers
- TS-2b model specification
The TS-2b Triple Shot delivers genuine wiring versatility in a form factor that respects the instrument's original design language.
More Information
| Condition | New |
|---|
Reviews
At a Glance
The Seymour Duncan TS-2b Triple Shot is a dual-slider switching system for LP-style bridge positions that unlocks series, parallel, and split wiring modes from a single humbucker—giving you tight, aggressive tones, clear articulate blends, and single-coil character all without reaching for a knob. Built for gigging players and studio musicians who need tonal flexibility on the fly, it mounts cleanly into arched-top guitars while keeping your playing hand in the same position. Choose it for the instant access to three distinct voices from one pickup, the reliability of a passive switching system, and the aesthetic respect it pays to traditional LP designs.
Who This Is For
Great for
- ✓ Studio Sessions
- ✓ Home Recording
- ✓ Live Performance
- ✓ Gigging
Skill level: Intermediate · Advanced · Professional
Frequently Asked Questions
What wiring modes does the TS-2b give me?
The TS-2b provides three wiring configurations accessed via two slider switches: series (tight, aggressive humbucking response), parallel (coil blending for clarity and articulation), and split (single-coil character from each coil independently). All three modes are accessible without removing your hand from the neck.
Will this work with my LP and pickups?
The TS-2b is designed for arched-top guitars like Les Pauls and requires humbucker pickups with four-conductor cables to unlock full wiring flexibility. It will not fit nickel and gold-covered Trembuckers, so verify your pickup construction before purchasing.
Where do the switches mount, and will they get in the way?
Two compact slider switches mount at the low E-string edge of the bridge position, positioning them for intuitive access without interrupting your playing hand position. The design integrates seamlessly into traditional LP-style aesthetics.
How does this compare to the TS-1 Triple Shot?
The TS-2b is the bridge-position variant of the Triple Shot system, engineered specifically for arched-top guitars; the TS-1 serves neck positions or different guitar styles. Both deliver the same three wiring modes but in form factors suited to their respective placements.
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