Seymour Duncan Dimebag set Zebra Pickup

Seymour Duncan Dimebag Set Zebra Pickup

The Seymour Duncan Dimebag Set delivers the aggressive, articulate voice that defined Dimebag Darrell's tone—a pairing engineered for maximum clarity and sustain in high-gain contexts. The Dimebucker bridge cuts through with surgical precision while the '59 neck pickup provides balanced warmth for lead work. This is a working set built for gigging players who demand high output and tonal definition on stage.

Tone & Output Characteristics

The bridge Dimebucker (SH-13) runs 16.25 kΩ DC resistance with a ceramic bar magnet and dual stainless steel blade pole pieces, delivering a 5.1 kHz resonant peak suited to thick, punchy distortion tones that cut through a live mix. The neck '59 (SH-1) sits at 8.13 kΩ with an Alnico V magnet and 6 kHz resonant peak, balancing brightness with musicality for cleaner passages and lead articulation without sacrificing presence.

Construction & Reliability

Both pickups employ four-conductor cables for wiring flexibility and are vacuum wax potted to eliminate microphonic feedback—essential for high-gain stage work where feedback rejection keeps your tone solid night after night. Hand-built in Santa Barbara, CA, the set features a striking zebra coil configuration on the neck pickup while the bridge remains black, adding visual contrast to your instrument.

Key Features

• Dimebucker bridge pickup (SH-13) with 16.25 kΩ DC resistance
• '59 neck pickup (SH-1) with 8.13 kΩ DC resistance
• Ceramic bar magnet (bridge) for aggressive output
• Alnico V bar magnet (neck) for warm, articulate response
• Dual stainless steel blade pole pieces on bridge pickup
• 5.1 kHz resonant peak (bridge); 6 kHz resonant peak (neck)
• Four-conductor cables for custom wiring configurations
• Vacuum wax potted construction to reduce microphonic noise
• Zebra coil configuration on neck pickup; black bridge pickup
• Hand-built in Santa Barbara, CA

This matched pair delivers the clarity, output, and road reliability needed for hard rock and metal applications where tonal separation and feedback rejection matter night after night.