Seymour Duncan SH-12 Screamin' Demon Black Pickup
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- Brand new in original box
- Full Seymour Duncan manufacturer's warranty
- Free shipping in the continental US
In stock
- SKU
- 11102-80-B
Description
Seymour Duncan SH-12 Screamin' Demon Black Pickup
The SH-12 Screamin' Demon is a medium-output humbucker built for players who need articulate aggression on stage without losing definition in the mix. Hand-built in Santa Barbara with Seymour Duncan's proven construction methods, it delivers punchy transients and solid output that cuts through live settings and handles responsive dynamics across clean to high-gain applications. Equally capable in tight mix-and-match setups or as a full-guitar overhaul, it's a reliable workhorse for modern rock and metal rigs.
Tone & Output Character
The medium output level and 10k ohms DC resistance sit in a sweet spot—modern bite without excessive coloration or loss of clarity. An Alnico 5 bar magnet paired with slightly overwound coils produces snappy transients and defined harmonic content that articulates well at both clean and high-gain settings.
Construction & Reliability
Built with a nickel silver bottom plate and vacuum wax potted for squeal-free, feedback-resistant performance across gain levels and venue dynamics. The mixed pole-piece design—one row of standard adjustable screws and one row of shorter Allen head screws—allows fine-tuning of individual string response and output balance, giving you control over how the pickup sits in a live mix.
Key Features
- Medium output level for balanced aggression and articulation
- 10k ohms DC resistance
- Alnico 5 bar magnet with slightly overwound coils
- Mixed pole pieces: adjustable screws and Allen head screws for string-by-string tuning
- Nickel silver bottom plate
- Vacuum wax potted construction for squeal-free performance
- 4-conductor lead wire for multiple wiring configurations
- Available in standard humbucker or Trembucker spacing
- Hand built in Santa Barbara, CA
- Black finish
The SH-12 combines Seymour Duncan's hand-built quality with versatile wiring options and responsive tone that delivers on stage and in the studio.
More Information
| Condition | New |
|---|
Reviews
At a Glance
The Seymour Duncan SH-12 Screamin' Demon is a medium-output humbucker built for modern rock and metal players who need articulate, punchy tone without losing note definition at high gain. Hand-waxed and potted in Santa Barbara, it cuts through a live mix with snappy transients and defined harmonics while resisting feedback across volume levels. The mixed pole-piece design lets you dial in per-string response, making it reliable for gigging musicians running tighter rigs or mixing pickups.
Who This Is For
Great for
- ✓ Modern Rock
- ✓ Metal
- ✓ Hard Rock
- ✓ Studio Sessions
- ✓ Gigging
Not the best pick for
- – Jazz
- – Blues
- – Folk
Skill level: Intermediate · Advanced · Professional
Frequently Asked Questions
What genres and styles is the SH-12 best suited for?
The SH-12 excels in modern rock, metal, and hard rock, as well as studio sessions where articulate, high-gain tone is needed. It is not designed for jazz, blues, or folk playing.
How does the SH-12 compare to other Seymour Duncan humbuckers?
The SH-12 sits between the warmer SH-4 JB and higher-output options, offering a sweet spot of clarity and drive with medium output and 10k ohms DC resistance. It's comparable in approach to EMG 81/85 designs but with a warmer, more articulate character.
What makes the mixed pole-piece design useful?
One row has adjustable screws and the other has Allen head screws, allowing you to fine-tune individual string response and output balance to match your instrument and playing style.
Is the SH-12 prone to feedback or noise at high gain?
No—the pickup is vacuum wax potted with a nickel silver bottom plate, which resists feedback and microphonic noise across all gain levels and volume settings.
What wiring options does the 4-conductor lead wire support?
The 4-conductor configuration supports series, parallel, and split wiring, giving you flexibility to voice it differently depending on your control scheme and tonal goals.
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